Showing posts with label Anatomy. Show all posts
Showing posts with label Anatomy. Show all posts

Trigger Points

Unfortunatly, I am full of them...
Via Anatomy in Motion



The Four Types of Trigger Points

1. An active trigger point is an area of extreme tenderness that usually lies within the skeletal muscle and which is associated with a local or regional pain.

2. A latent trigger point is a dormant (inactive) area that has the potential to act like a trigger point.

3. A secondary trigger point is a highly irritable spot in a muscle that can become active due to a trigger point and muscular overload in another muscle.

4. A satellite myofascial point is a highly irritable spot in a muscle that becomes inactive because the muscle is in the region of another trigger pain

Scalene muscles - via Anatomy in Motion (THANK YOU!)


Scalene muscles are three paired muscles of the neck, located in the front on either side of the throat, just lateral to the sternocleidomastoid. There is an anterior scalene (scalenus anterior), a medial scalene (scalenus medius), and a posterior scalene (scalenus posterior). They derive their name from the Greek word skalenos and the later Latin scalenus meaning "uneven", similar to the scalene triangle in mathematics, which has all sides of unequal length. These muscles not only have different lengths but also considerable variety in their attachments and fiber arrangements. As you will see from the descriptions below, these muscles are in a very crowded place and are related to many important structures, namely nerves and arteries, that run through the neck.

The scalenes run deep to the sternocleidomastoid. They all start at the cervical vertebra and run to the first to second ribs. The anterior scalene runs almost vertically and its upper part is concealed by the SCM and the lower part is concealed by the clavicle. Along its medial border runs the carotid artery. The internal jugular vein, the intermediate tendon of the omohyoid, the phrenic nerve; and the transverse cervical and scapular arteries all lie between the anterior scalene and the sternocleidomastoid (in front of scalene behind the SCM) Between the muscle and the clavicle runs the subclavian vein. The rear of the muscle, its posterior border, makes contact with the brachial plexus nerve roots, which run between it and the medial scalene.

Together with the first rib these muscles form a triangle known as the scalene triangle or interscalene triangle1 through which the brachial plexus nerves and the subclavian artery pass. 

Also behind the anterior scalene are the pleura of the lungs and the superior intercostal artery.

Just behind the anterior scalene is the scalenus medius, referring to the "middle" muscle. This muscle forms part of the floor of the posterior triangle of the neck2. The front of the muscle runs close the the brachial plexus and the upper two thoracic nerve roots run through it. It makes contact with the levator scapulae in the rear, and the dorsal scapular nerve and transverse cervical artery pass between the two. The upper two roots of the long thoracic nerve go through the muscle. Only the anterior and medial scalene can be palpated. The posterior scalene is much shorter than the other two, and only starts at the lower cervical vertebra, where it attaches via two three tendinous slips. Whereas the first two attach to the first rib, the medius attaches to the second rib. 1,2,3,4,5,6.7

Some texts refer to a fourth scalene muscle, the scalenus minor. This variant does not always occur on both sides of the neck, but may be present in up one-third of people. This normal variation may have implications in thoracic outlet syndromes as does the scalenus anterior, resulting in a syndrome known as Scalenus Anterior sydrome or Scalenus Anticus syndrome (another name for the anterior muscle). The brachial plexus and the subclavian artery, as mentioned above, pass between the anterior scalene and the middle scalene. When present, the minimus inserts between the scalenus anterior and medius, passing behind the subclavian artery while the scalene anterior passes over and in front of it.7,8

At the top of the lungs is a the suprapleural membrane, which is a dense fascial layer also called Sibson's fascia. This fascia is attached to the inner border of the first rib and the costal cartilage. The pleura of the lungs attach to this fascia underneath. The fascia attaches to the transverse process of the C7 vertebra and when muscle fibers are found in it, it is called the pleuralis muscle, which is another name for the scalenus minimus. So this suprapleural membrane could be regarded as a flattened out tendon of the scalenus minimus, meaning that the scalenus minimus is attached to the pleura of the lungs, or the pleural dome and then beyond to the first rib, lying behind the anterior scalene and the groove of the subclavian artery. The scalenus muscle is a reinforcement of Sibson's fascia, which serves to stiffen the thoracic inlet and the neck structures above it so that they are not "puffed" up and down during forced respiration.8

The scalenes are clearly individual muscles but the all work together as a functional unit. They are usually considered accessory muscles of inspirations, as they work to elevate and fix the first and second ribs, while serving to fix them during quiet breathing, becoming guy-wires from the neck. It was thought that they were only active during labored or forceful breathing. However, measurement of their activity with concentric needles electrodes have demonstrated their activity even during quiet, normal breathing, even when the intake of breath is quite small. This has caused some researchers to drop the "accessory" label and consider them primary muscles of inspiration.

During normal diaphragmatic breathing, the ribs are elevated by the intercostal muscles and the scalenes. The orientation of the ribs causes them, when elevated, to expand the chest to the sides and front which increases the thoracic volume available for the lungs to expand into, although a most of this expansion is into the abdominal space which is made available by the contraction of the diaphragm downward. Their exact role in breathing is difficult to resolve.

The actions of the scalene muscles as movers of the neck and head are variously reported. They stabilize the cervical spine against lateral movement. The most common moving action attributed to them unilaterally is contralateral rotation of the cervical spine (rotation of head to the opposite side of working muscle). They have also been reported to be ipsilateral rotators (rotation to same side as working muscle). Bilaterally they are reported to be flexors of the neck. Their action in this regard depends on whether the thorax is fixed or the neck is fixed.1,2,3,4,5,6.7

Whether they are always active during breathing or not, the scalenes may become overactive in quiet breathing in upper chest breathing patterns. Prolonged coughing can overuse these muscles as well, and they may be especially problematic to asthma sufferers. Pain can come from myofascial trigger points in the scalenes or from thoracic outlet entrapment syndromes associated with the muscles.7

Origins, Insertions, and Actions

Origins: The Anterior Scalene (front scalene) originates on the anterior tubercles of the transverse processes of the third or fourth to the sixth cervical vertebrae.

The Scalenus Medius (middle scalene) originates on the posterior tubercles of the transverse processes of the first or second to seventh cervical vertebrae.

The Scalenus Posterior (rear scalene) attaches by two or three tendons from the posterior tubercles of the transverse processes of the the fifth or sixth to the seventh cervical vertebra (the last two or three).

Insertions: The scalenus anterior inserts onto the scalene tubercle and cranial crest of the firt rib, in front of the subclavian groove. The middle scalene inserts onto the cranial surface of the first rib, between the scalene tubercle and the subclavian groove. The posterior scalene inserts onto the outer surface of the second rib.

Actions: As above, the scalenes function as fixers and elevators of the first and second ribs during inspiration. The anterior and medial scalenes elevate the first rib and the posterior scalene elevates the second rib.

It is generally accepted that, acting unilaterally, they flex the head to the same side and acting bilaterally the flex the head forward (cervical flexion). Their roles as rotators of the neck given differently by different texts. Some report that all three scalenes rotate the head to the same side and some report that they all rotate it to the opposite side. Some report different functions for each scalene. According to Buford, et al., a multiple single-subject study on anesthetized macaques and human cadaver follow up revealed all three muscles as contralateral rotators of the cervical spine (rotating the head to the opposite side).4 The scalenes also help to laterally stabilize the neck, which is especially suited to the scalenus posterior.7

Sources of Scalene Trouble and Trigger Points

As stated above, breathing habits can be a cause of the scalenes being overworked. Here is a list of possible causes of scalene trouble which can lead to trigger points in the muscles or the neurovascular entrapment syndrome:

• labored breathing and/or habitual upper chest breathing (paradoxical), or chronic coughing, possibly associated with:

  • nervous hyperventilation
  • asthma
  • emphysema
  • pneumonia
  • bronchitis
  • allergies
  • playing wind instruments
• work habits and activities such as:

  • working for long periods with arms in front and possible slouched forward (as at a desk)
  • working long periods with arms overhead
  • work the requires repeatedly raising and lowering the arms
  • carrying heavy loads at the sides
  • pulling or lifting (especially with arms as waist)
  • rowing
  • swimming
  • pulling ropes as in sailing
  • wearing a heavy backpack

• poor posture with head-forward, kyphotic slouching and other problems such as:

  • one short leg when standing
  • small hemipelvis when sitting
  • idopathic scoliosis
  • sleeping with the head and neck low
  • trauma from a hard fall or auto accident, whiplash (also affects sternocleidomastoid)7
Full article, with references & more great tips here:http://bit.ly/NOTfco

Sciatica vs. Piriformis Syndrome

via...  

Sciatica vs. Piriformis Syndrome
by Dr. George Best



Sciatica and piriformis syndrome can seem quite similar, parularly in terms of symptoms, and this similarity in how they feel has caused considerable confusion for doctors and patients alike. Some individuals have stated that they are actually the same thing, but despite similarities in symptoms, the underlying causes of the two conditions are different.

Sciatica refers to irritation of the sciatic (often mis-spelled as syatic or psyatic) nerve, that arises from nerve roots in the lumbar spine. The most common cause of sciatic nerve irritation, or "true" sciatica is compression of one or more of its component nerve roots due to disc herniation or spinal degeneration in the lower lumbar region. Sciatica usually begins in the buttock area and, depending on the severity of the underlying nerve comression and inflammation, may extend down the entire leg to the ankle and foot.

Piriformis syndrome is sometimes called false sciatica, because instead of actual nerve irritation, it is caused by referral pain.) caused by tight knots of contraction in the piriformis muscle, which attaches to the upper femur bone and then runs across the back of the pelvis to the outside edge of the sacrum, the triangular pelvic bone at the base of the spine. The symptoms of piriformis syndrome are very similar and may be indistinguishable from true sciatica.

In some cases, piriformis syndrome may cause true sciatic nerve irritation, as the sciatic nerve may run underneath or even through the middle of the piriformis, so contraction of the piriformis may produce sufficient compression of the sciatic nerve to produce actual nerve symptoms. This is one of the main sources of confusion when it comes to distinguishing true sciatica from piriformis syndrome.

As mentioned earlier, the symptoms of true sciatica are very similar to piriformis syndrome. Both cause pain, tingling, burning, "electrical shock" sensations, and/or numbness down the leg, often all the way to the foot. In addition, both sciatica and piriformis syndrome tend to be at least partially related to biomechanical functional problems in the joints of the back and pelvis and they may even be present simultaneously in the same person, so it an be difficult to tell them apart.

But since the most effective treatment for the two conditions varies signficantly, it is important to determine the correct diagnosis if at all possible. In most cases there is an easy way to distinguish between sciatica and piriformis syndrome.

In most cases, sciatica can be differentiated from piriformis syndrome with a couple of simple test maneuvers. To begin, from a seated position, one straightens the knee on the side of sciatic pain, holding the leg out straight and parallel to the floor, and if this position causes an increas in symptoms, it is a good indicator of true sciatica.

The second maneuver is done in two parts. First, from the sitting position one bends the leg and pulls the knee on the painful side towards the same-side shoulder. In all but the most severe cases, there is usually no major increase in pain in this position. The second part of the maneuver is to pull the knee toward the opposite side shoulder. An increase in the sciatica-like symptoms is a strong indication of piriformis syndrome.

It is important to distinguish between sciatica and piriformis syndrome, because the treatment for the conditions varies, and getting the diagnosis right typically leads to more effective treatment.
 

Yoga Therapy for Your Knees

With a simple anatomy lesson, isometric exercises, and attention to alignment in standing poses, you can undo chronic pain in your knees.


By Doug Keller via Yoga International
If you have chronic pain in your knees, if they “snap, crackle, and pop” when you bend or extend them, or if they tend to hyperextend, you may have improper tracking or “dislocation” of the kneecap. This misalignment causes the most common kind of chronic knee pain and damage to the knee joint, which develop slowly over time.

Here’s a simple anatomy lesson: The kneecap is designed to slide along a groove in the femur, and it has to move smoothly within that groove to do its job well. If it goes “off track” (and it often does), it grinds away at the cartilage underneath and destabilizes the knee. The ensuing wear and tear is a key reason for knee replacement surgery, which a lot of people believe is necessary because they think the cartilage is “gone.” But the truth is that cartilage can grow back, albeit slowly. The main problem is that if we don’t correct the imbalanced pull of muscles on the kneecap, we will continue to grind our cartilage down faster than our body can replenish it.

So why does the kneecap go off track? The cause lies mainly in the quadriceps, a group of four muscles that merge just above the knee into a single quadriceps tendon. This tendon surrounds and attaches to the kneecap, continuing down below the kneecap as the patellar ligament, where it attaches to the tibia (shin bone). The kneecap serves an important mechanical function. The quadriceps tendon passes over the kneecap like a rope over a pulley, and the kneecap—like a pulley—increases the strength of the quadriceps to straighten the leg by 30 percent. Together, the quadriceps and the kneecap form the “extensor mechanism” for straightening the leg. Misalignments come when the “rope” of the quadriceps exerts a sideways pull on the kneecap “pulley,” creating friction in the mechanism.

Hatha yoga has a lot to offer to correct this misalignment; the standing poses are especially effective. But be forewarned: Misalignments of the knee in various asanas can amplify the imbalances that lead to injury and can aggravate existing problems instead of correcting them. The good news is that good alignment and proper tracking are easy to achieve—once you know what to pay attention to.

Why Are We Prone to Knee Problems?
Our bodies are predisposed to injuries of the extensor mechanism because the hip joints are wider than the knees in a neutral standing position. The natural Y-shaped configuration to the leg bones promotes uneven contraction of the quadriceps, and problems such as hyperextension of the knees make these natural imbalances even worse. As a result, when we contract the quadriceps to straighten the leg, the unevenness of the contraction tends to pull the kneecap to the outside, thanks to the greater pull of the outermost quadriceps (the vastus lateralis).

The innermost quadriceps (the vastus medialis) is most responsible for counteracting this pull. This muscle tends to be weak and underused, while the outer thigh muscle tends to be stronger from overuse. So if you want to keep the knee healthy (i.e., tracking properly in its femoral groove), you need to learn to strengthen the vastus medialis. In fact, physical therapists consider exercises to strengthen this neglected muscle key in the rehabilitation of knee injuries.

The Challenge of Working with the Inner Quad
Yoga students are often told to “lift the kneecaps” in straight-legged poses to engage their quadriceps and, ostensibly, protect their knees from hyperextension. But lifting the kneecaps in a healthy and balanced way requires focused attention, especially if you already have problems in your knees.

This is easy enough to check. Sit or stand with your legs straight and your feet parallel to each other, then engage your thigh muscles so that your kneecaps “lift” or pull toward your hips. Do your kneecaps move up in a straight line, or do they move in an angle toward the outside of your knees? If the latter is the case, then you need to strengthen the vastus medialis, the inner quad, and learn how to use it properly.

This has its challenges. First, it can be difficult to find and isolate this muscle, because you can feel the vastus medialis firming most only in the last 10 to 20 degrees of knee extension. So it takes focused attention to even feel and understand what the muscle does.


VASTUS LATERALIS (left) and VASTUS MEDIALIS (right).

Second, structural misalignments that cannot be changed (like being knock-kneed or bowlegged) tend to limit the vastus medialis’s proper functioning—and can even weaken it in relation to the other quadriceps muscles, making it even harder to work with.

Finally, although engaging the vastus medialis properly can prevent hyperextension of the knee, doing so is essentially useless if the knee is already hyperextended. Consequently, it’s important to consciously avoid hyperextension in the first place, rather than relying on the strengthening exercises to prevent it. This is critical, because the habit of hyperextension will otherwise pull you right back into your imbalanced patterns of knee extension even after you do the work of strengthening the vastus medialis.
Here’s what you can do to keep your kneecaps tracking properly:
  1. Find your vastus medialis, the inner quadriceps muscle.
  2. Strengthen it with small extension exercises.
  3. Continue to strengthen the vastus medialis in bent-knee warrior poses.
  4. Incorporate that work into straight-legged asanas.
Strengthening Your Inner Quad
Isometric extensions will help you identify the inner quad and its action as you strengthen it. To do this, sit in dandasana (staff pose) with your legs extended forward. Support your upper back against a wall if that’s more comfortable. Roll up a small blanket or sticky mat and place it under your knees to prevent hyperextension while your quadriceps are contracted. Next, rotate your right leg out 10 to 15 degrees (if the sole of your foot were on a clock face, your toes would be pointing to one o’clock). To find the vastus medialis, place your fingers about one inch above the inner (or medial) corner of your kneecap, and then walk your fingers about one and a half inches toward the inner thigh. Straighten your leg slowly to feel the quadriceps engage. You’re looking in particular for the firming of the teardrop-shaped muscle just under your fingers. This is the vastus medialis, the inner quadriceps. You will feel it fully engage as your leg straightens completely. Hold the contraction for 8 to 10 seconds, then release. Repeat this for two more rounds, making sure you don’t extend the leg so hard that you feel locking or pinching in the knee. Repeat this exercise with the left leg.

Next, do the same exercise without rotating the leg out. Keep your leg aligned so that your kneecap faces straight up toward the ceiling. Extend your leg fully and see if you can engage the inner part of the quadriceps—where you’re touching with your fingers—as strongly as you can engage the outer part of the quadriceps. Watch how your kneecap moves in a straight line along the center of the knee joint when your quads are engaged in a balanced way, rather than pulling to the outside. Repeat on the other leg. You can do these exercises several times a day—just be careful not to fatigue the muscle by doing too many sets at a time.

The Warrior Poses
Among the traditional asanas, the warrior poses (virabhadrasana I and II), in which the front leg is bent and the back leg is straight, are particularly effective for strengthening the vastus medialis, if done with proper alignment and action. Because although it’s easiest to isolate this muscle’s action when the leg is fully extended, it is also engaged and strengthened when the knee is bent at a 90 degree angle and the leg is bearing weight—as long as the knee is positioned vertically over the heel and the inner heel remains grounded. This is the case in a well-aligned warrior pose.

To come into the pose, step your feet wide apart, while extending your arms out to either side. Your feet should be roughly beneath your wrists. Turn your left foot in about 30 degrees and your right leg out 90 degrees. Keep your torso upright as you bend your right knee. Make sure your knee does not go beyond your ankle and toes: Keep the shin vertical while striving to bring the thigh parallel to the floor, so the leg is bent at a right angle. If the knee goes beyond your ankle and your weight shifts into your toes, widen the distance between your feet. Turn your head to look out over your right fingertips.

Even when your stance is the proper width and your knee bends to a right angle, a common—and harmful—misalignment is to let the thigh turn inward so that the knee points more toward the big toe. This happens especially when the arch of the foot collapses, which places stress on the inner knee and prevents you from strengthening the quadriceps in a balanced way. A less common misalignment is to shift the weight to the outer edge of the foot, so that the knee turns more toward the little toe. In this case the muscles along the outer thigh tighten, and the outer (lateral) side of the knee is stressed. In this case, too, the vastus medialis doesn’t function properly.

TO PROTECT THE KNEE make sure it’s above the second toe and that both the toe and the knee are on the same plane as the sit bone. If the vastu medialis is not properly engaged the knee falls inward. The vastus laterialis then pulls the kneecap outward, stressing the inner knee. When the weight shifts to the lower heel, the knee splays out over the little toes and stresses the inner knee.

Proper alignment in the warrior pose allows the vastus medialis to work in harmony with the other quadriceps to align and strengthen the extensor mechanism of the knee. Misalignments, on the other hand, disable the vastus medialis and increase the muscular imbalances that cause wear in the knee. You can protect your knees and strengthen the vastus medialis by following three basic rules for the warrior poses.

First,
make sure your knee is bent properly to a right angle, so the weight is centered in your heel. If your toes are gripping, it’s a sign that your knee is going too far beyond your heel.


Second, don’t let the inner arch of your foot collapse, for this is a sign that your knee is turning inward too much. We sometimes compensate for this collapse by shifting weight to the outer edge of the foot, causing the inner heel to lift. But this stresses the outer knee and defeats the purpose of the pose. The challenge of aligning the knee is to keep your inner heel and big toe mound grounded while keeping the inner arch of the foot lifted. These two actions—grounding and lifting—will keep the knee from turning inward or outward too much. Lift your toes to help engage and lift the inner arch; as you bend your knee, draw the energy from the inner arch up through the calf to your inner knee, so that your knee remains directly over your heel and does not turn inward.

Third, make sure that the heel, kneecap, and hip joint of your bent leg are in the same plane by allowing a slight turn of the hips. (If you were doing the pose next to a wall, your outer right ankle, knee, and hip would all be touching it.) To achieve this, when you bend your knee, let your outer hip descend toward the floor (as if you had something heavy in your hip pocket) as you lift energy from your inner arch up through your inner knee. This will make your leg spiral out as you bend it, until your heel, kneecap, and hip joint are all aligned.
The purpose of these three actions in the bent leg is to ensure that all four quadriceps muscles are working harmoniously to stabilize the knee. As a result, the vastus medialis gets a much-needed workout that brings it into balance with the other quadriceps. To confirm this, gently pinch your thigh above the inner knee to check that the muscle there—the vastus medialis—is as firm as the thigh muscles at the outer knee.

Trikonasana
Proper alignment of the knee in the warrior poses automatically gives the vastus medialis a healthy workout. Now you can apply these same actions to the straight-legged poses like trikonasana, in which working the vastus medialis consciously is more challenging.

Step your feet wide apart, turning your left foot in 45 degrees and your right leg out 90 degrees, toward the edge of your mat. Bend your right knee slightly and align your heel, knee, and hip as in warrior pose. Then straighten the leg mindfully, engaging the vastus medialis, especially in the last 20 degrees of extension. If you engage this muscle properly and your leg is aligned as you straighten it, you’ll see your kneecap draw straight up your leg, and you’ll find it nearly impossible to lock your knee. But if you let go of the vastus medialis even for an instant, the knee can easily hyperextend and lock into that position.

Fold at the hip crease to take trikonasana to the right. Keep the vastus medialis firm and lift along your inner thigh, maintaining the straightness of your leg without locking the knee. If you feel pressure in the knee joint, you’ve probably relaxed the vastus medialis and hyperextended your knee. Come out of the pose and try again. As a bonus for good alignment, you’ll feel a stronger stretch along the inner edge of your thigh, from your inner knee back toward your sit bone. Be careful not to overstretch: use the support of a block for your hand if you need it.

Conclusion
The standing poses of hatha yoga provide powerful and effective means for strengthening and stabilizing our knees, helping us to overcome structural imbalances that might otherwise lead to chronic wear and tear (and ensuing pain) in your knees. A little extra mindfulness in aligning and working our legs in these poses will enhance the natural therapeutic benefits these poses have to offer.

Doug Keller’s yoga journey includes 14 years of practicing in Siddha Yoga ashrams, intensive training in the Iyengar and Anusara methods, and nearly a decade of teaching in the United States and abroad. Asana instruction, essays, and other enlightening information is available on his website.

Top Six New Moves for Deeper Core Strength

Mar 2, 2012
Top Six New Moves for Deeper Core Strength.

Question: Are your inner thighs just as strong as the outer, back, and front of your legs?
Yeah…I thought so.

Your adductors are part of your Deep Core muscle meridian, a line that runs from feet to head that comprises your true core support and power.

Add my signature Six Core Variations for Adductors and Whole Body Core Strength to your regular yoga routine to balance the inner thighs’ strength and flexibility. This will help ease low back pain, improve posture and give you more power in all your poses:

(Pssst! Be sure to warm up really well first).

Side Plank with Variation: Begin in Down Dog. Split the left leg up, then bring knee into chest, rounded back and hips high (Core Plank). Roll onto the outer right foot for Side Plank. Bend the top, left leg, step into it—and then—surprise! Lift the straight, right leg for three breaths! Hellooo adductors!

Half-Crow Pose in Plank: Lift the left leg into Dog Splits again. This time, exhale to sweep your left knee high on your left arm. Squeeze the leg into the arm and arm back out against the leg for a strong bandha, or support. A slight bend in the elbow will challenge the arm muscles more.

Waterfall Warrior: From Half-Crow Plank, step left foot forward into a Warrior One stance. Clasp hands, and fold inside the front thigh. On the inhale, roll the torso and head back up. Exhale, wave back down, leading with the chest but still supporting with the low belly activating in and up the spine. Repeat the flow 3-5 times.

Fan Pose Lunges: From Waterfall Warrior, spin your front foot to parallel the back foot, and release hands to the mat. Spend a few breaths with one leg bent, stretching the other inner thigh, then reverse to the other leg. Then your full Prasarita Padottanasana (Fan Pose) will be even more amazing.*

*Now move into low lunge, Dog Pose, then take Child’s Pose for five breaths or so. When you’re ready, return to Downward Dog and repeat sequence on the right leg.

After completing both sides, proceed to the final poses!

Wild Angle Pose: This takes wide angle to a whole new level, as you add a side bend, a head rest (this takes your outer waist and back muscles offline more so you contact a deeper muscle meridian, like the quadratus lumborum and psoas) and a half-bound top arm. Maintain two evenly grounded sitting bones. Switch sides after a few breaths.

Eagle Curls: Come to lie on your back. Wrap your right knee over left and take the left arm over right as in standing Garudasana. Press the inner thighs together. Inhale, head and shoulders on the floor. Exhale, curl up, elbows to knees. Repeat 10 times on each side, or take an Eagle-wrap Twist on each side after the curl. Supreme yumminess will occur.

End the sequence in Goddess Pose on your back for 1-2 minutes to release the adductors and connective tissues in the groins and inner knees.

Piriformis – A real pain in the …

Piriformis – A real pain in the …

muscles? The buttock muscles can be divided into two layers: the more superficial one is the gluteus maximus, which, when well developed, forms the rounded shape of the buttocks. It originates on the sacrum at the base of the spine and nearby pelvis, and then runs diagonally down and across the buttocks to insert on the outer upper femur (thighbone). When it contracts, it extends the hip, which pulls the femur into line with the torso. For example, the gluteus maximus contracts when you stand up.


In yoga, the gluteus maximus helps perform a similar job in partnership with the hamstrings when you move from a standing forward bend to standing upright. The gluteus maximus is also a strong external rotator of the hip, which, when you're standing, turns the knees outward.

The second and deeper layer of buttock muscles is made up of the six deep rotators. The piriformis is the best known, but this group also includes the internal and external obturators, the superior and inferior gemelli, and the quadratus femoris. They originate on the sacrum and the ischial tuberosities (sitting bones), and then run diagonally in a fan shape across the deep buttocks to insert on the back of the upper femur on the greater trochanter.

Psoas Resources

Psoas Resources

Nerdy Anatomy - On the Core

Core and Tailbone Tuck...

Over the past number of years, core stability has really jumped in popularity as a way to protect the back or improve overall function. While this is all good, there seems to be some trouble with making this happen properly because I am meeting more yoga teachers who have pain, and/or who are limited in their movement, despite practicing what they think is "core work".

Tucking the tail bone, or lengthening the tailbone creates an action of posterior tilting of the pelvis (a little or a lot depending on who is practicing). The rectus abdominus contracts and the lumbar spine flattens (a little or a lot depending on who is practicing). From a "feeling perspective", many teachers tell me that they feel this in their lower abdomen - and this feeling makes them believe that they are "doing it right". All fine and good to "feel contraction in the lower abdomen" but that doesn't mean the core is "on".

The inner core stabilizing muscles are the transversus abdominus, the pelvic floor, and the multifidus. The largest of the 3, the transversus abdominus is made up of horizontal fibers. When the muscle contracts it squeezes like a girdle. The multifidi attach vertebra to vertebra and "check" the vertebral movement helping to stabilize segmental movement. The pelvic floor produces a squeezing inward action like when you wrap your left hand around your right finger and gently squeeze.

You'll notice in these descriptions that none of these muscles have the fiber arrangement nor the attachments to cause a posterior pelvic tilt.

So what is happening with a posterior tilt or "tucking the tailbone" or "lengthening the tailbone"? The superficial abdominal muscle - the rectus abdominus - is contracting, as are the hamstrings. These aren't core stabilizing muscles.

Okay, well, what about people who have an anteriorly tilted pelvis - wouldn't they still benefit from tucking? In my experience - no. The mistake that is often made when wanting to improve movement is people assume that the "pelvis woke up one day and decided to be anteriorly tilted". That just doesn't happen. Instead - the body responds to stimuli. In the case of the anteriorly tilted pelvis, it is in that place because of other forces at play - like issues in the shoulder girdle, issues in connection between the pelvis and feet etc. If we want to improve an anteriorly tilted pelvis, we need to clean up those issues (and these issues are different for everyone). When those are cleaned up, the pelvis finds its place and lightness emerges.

So now what? One of the key things you can do as a teacher teaching core work is to show your students how to do the following:

1. Move in a pain-free range of motion, or if your student is already in pain, in a range where the pain levels don't increase. If you are in pain, your core is not as functional as it could be.
2. Breathe easy. When you force your breath, you will be bracing and not using your core muscles. You may even be doing "breath holding".
3. Move in a range of motion that is optimal and "pure" for you. This is the single biggest thing people can do to improve their core stability and overall function.

Hips























Shoulder Alignment

SHOULDER SAVER - by Julie Gudmestad - Published in Yoga Journal, February 2008


Learning to engage and strengthen the rotator cuff muscles is crucial to preventing common shoulder injuries that plague yogis and non_yogis alike. If you know how to use these muscles the right way, your Down Dogs can help keep your shoulders strong and healthy for a lifetime.


The rotator cuff is one of the most important but widely misunderstood structures in the body. It gets damaged often enough that its name has become synonymous with injury. It's a group of four shoulder muscles that surround each shoulder—like a cuff. Boiled down to the essentials, its job is to support and position the ball that forms the head of the upper arm bone and fits in the socket of the shoulder joint. The shoulder is inherently an unstable joint, so building the strength of these supporting muscles is crucial. If they're weak or deconditioned, as is often the case, the shoulder is vulnerable to injury and pain, and the rotator cuff itself may tear.


You can remember the four rotator cuff muscles by the acronym SITS, for subscapularis, infraspinatus, teres minor, and supraspinatus. They all originate on the scapula (shoulder blade) and insert on the humerus (upper arm bone), near the humeral head (the ball that fits in the shoulder joint). The names of three of the muscles give you a clue to their location: subscapularis sits under the scapula, between the ribs and the front surface of the scapula. Supraspinatus sits above and infraspinatus sits below the spine of the scapula. You can feel them with your fingers: Touch one of your collarbones with the fingers of the opposite hand and slide the fingers straight up over the top of the shoulder. Then reach down the back about an inch or two; you'll find a ridge of bone that's more or less parallel to the ground. That is the spine of the scapula, which separates the supraspinatus and infraspinatus on the back surface of the scapula. The teres minor gives you no clues about its name; it just sits on the outer edge of the scapula, near the posterior fold of the armpit.


Shoulders 101
WHILE ALL FOUR MUSCLES work in concert to stabilize the shoulder, each muscle also helps support the shoulder individually. The subscapularis is a powerful internal rotator. Supraspinatus helps hold the ball up in its socket against the downward pull of gravity on the arm, and it initiates abduction, or lifting the arm up from your side, as in Virabhadrasana II (Warrior Pose II). Teres minor and infraspinatus are the primary muscles that control the external rotation of the shoulder. When they're strong and healthy, they help to protect the shoulder joint by positioning the ball in the socket while you raise your arm overhead. Conversely, their weakness can contribute to common shoulder problems such as shoulder impingement, tendinitis, and bursitis.


These important external rotators, infraspinatus and T. minor, are the part of the rotator cuff that is strengthened in Downward Dog. It's a good thing, too, because these days, the laborsaving products and devices we use make our arms and shoulders progressively weaker as the decades slip by. A weakened rotator cuff might lead to abnormal shoulder-movement patterns, which can contribute to inflammation and pain. Not only that, but weak muscles are likely to tear when you put a load on them that they aren't strong enough to handle. Sometimes the tears are microscopic and will heal on their own. But if the tears are bigger, a surgeon may have to sew the separated ends of the torn tissues together. Repairing a torn rotator cuff surgically, though, isn't a given: One doctor described the repair process as being like trying to sew up a run in a nylon stocking. The tissues of the atrophied muscles and their weakened tendons are just plain flimsy—liable to tear and difficult to repair.


So, a word to the wise: It's much easier to work your rotator cuff muscles, make them strong, and keep the tissues healthy than to have to see a physical therapist like me for shoulder treatment and rehabilitation or, worse still, to have to visit a surgeon. And it's in this way that your daily Downward Dog practice will really pay off—if, that is, you know how to engage infraspinatus and teres minor.


Right Rotation
PROPERLY ENGAGING THE EXTERNAL rotators takes some training. In fact, many students unknowingly let their shoulders slip into internal rotation in Downward Dog, leaving the external rotators lazy and inactive.


To get a feel for engaging the shoulder external rotators, stand facing a dining table or desk. Lean forward and place your hands on it, palms down and bearing a little weight. Now look at your elbows, noticing the crease on the inner sides and the point of the elbows on the outer sides. When you rotate your arms so that the elbow creases point forward, you will be externally rotating your shoulders. When you rotate in the opposite direction and the points of the elbows poke out to the sides, you will be internally rotating your shoulders. Play with this a bit by rotating in and out with this light amount of weight bearing, and you may even be able to feel the teres minor and infraspinatus contracting across the back of the shoulders as you turn the elbow creases forward.


Now go to your mat and do Down Dog. If you're a newer student or have tight shoulders, you may notice that they tend toward internal rotation, with the elbows sticking out to the sides and maybe even bent. Still in Dog, come forward a few inches toward Plank Pose and actively rotate the elbow creases relatively forward, so that they point toward your thumbs. Move back into Dog and try to keep some of this external rotation, though you'll have to give some of it up to fully open the shoulders. Maintaining some external rotation will keep the teres minor and infraspinatus contracting, and you'll probably notice more space opening up between your shoulder blades.


Once you've mastered keeping the external rotators engaged in Downward Dog, you can apply the action to more challenging poses such as Urdhva Mukha Svanasana (Upward-Facing Dog Pose) and Chaturanga Dandasana (Four-Limbed Staff Pose). From Downward Dog, come forward into Plank Pose. Rotate the creases of your elbows forward and hold your elbows against your sides as you let down to Chaturanga, then glide forward into Upward-Facing Dog. As you actively turn your elbow creases forward in this pose, the external rotators will be contracting strongly, and you should notice that this action broadens and lifts your chest.


Now notice how this shoulder rotation affects the weight placement in your hands. If the shoulders internally rotate, more weight tends to fall onto the inner side of the hand—that is, the thumb and index finger; in external rotation, the weight falls more onto the little-finger side. Ideally, your weight should be evenly balanced between your inner and outer hand, so that as you externally rotate at the shoulder, you'll need to focus on actively pressing down on the base of the index finger and thumb. This action of the forearm and hand is called pronation.


Typically, pronation of the forearm and hand occurs when the arms are internally rotated. For example, as I sit at my keyboard right now, palms down, my elbow points are sticking out to the side, which shows how pronation is linked with internal rotation. But Downward and Upward Dog require us to break our usual patterns by linking active shoulder external rotation with pronation of the hand. As you practice connecting these opposites, perhaps you'll appreciate anew how yoga helps you to break your old, unconscious habits in every aspect of life—and replace them with healthy, conscious, and considered ways of living.
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A pose can have exquisite alignment and be balanced in its Action, but without a pure spiritual expression from the heart, it loses its power for deep inner transformation.  A pure spiritual expression from the heart, it loses its power for deep inner transformation.  A pure spiritual expression in a posture is an unfolding of the deepest qualities of the heart, such as love and joy, into the body and surrounding environment.  These pure heart qualities make a posture sing with a beautiful inner music, which harmoniously joins into the grand symphony of life.  This heart energy (pure attitude) is the key element that makes the practice of hatha yoga into a profoundly transformational art.  A pure attitude during the performance of asana purifies the body and mind and lets the light of the heart freely shine out.
~John Friend~

Practice transforms us.  We need to eat less, because we assimilate more and more and therefore there is a loss of unnecessary weight.  We become more and more beautiful, our faces change and our walk gains in elasticity.  Our way of standing is steady and poised, our legs are firmer, and our toes and feet spread out, giving us more stability.  Our chests expand, the muscles of the abdomen start to work, the head is lighter on the neck (like the corolla of a flower on its stem moving easily with flexibility while the wind blows).  To watch these enchanting changes is amazing.  A different life begins and the body expresses a happiness never felt before.  These are not just words it actually happens.
-Vandra Scaravelli, Awakening the Spine